By Daisy Neijmann

ISBN-10: 0803233469

ISBN-13: 9780803233461

A heritage of Icelandic Literature offers a whole assessment of the literature of Iceland, from the country's payment within the 9th century until eventually the current day, together with chapters on lesser-known parts equivalent to drama, kid's literature, women's literature, and North American Icelandic literature. it's the first paintings to provide non-Icelandic readers a wide-ranging creation to Iceland's literature and every contributor to this quantity is a well-known professional in his or her area.Despite its peripheral geographical place and small inhabitants, Iceland produced the most impressive literary treasures of the center a while, fairly sagas and Eddic poetry. those medieval works have encouraged poets and writers around the centuries, who in flip have encouraged the Icelandic humans through the country’s lengthy heritage of hardships and as much as its extra prosperous current. This quantity extends wisdom of Icelandic literature outdoors the rustic and encourages its inclusion in comparative reviews of literatures throughout nationwide and linguistic barriers. (20071001)

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Get A History of Icelandic Literature (Histories of Scandinavian PDF

A background of Icelandic Literature presents a whole assessment of the literature of Iceland, from the country's cost within the 9th century until eventually the current day, together with chapters on lesser-known parts similar to drama, kid's literature, women's literature, and North American Icelandic literature.

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Additional resources for A History of Icelandic Literature (Histories of Scandinavian Literature)

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Odin is more intelligent but dangerously amoral, while Thor seems to be more like an innocent and good-natured farmer. The dialogue is farcical, and it has even been suggested that it parodies flyting poetry. In any case it is a comedy, as is another lay about Thor, ‘‘ªrymskvi®a,’’ in which a giant steals Thor’s hammer and the strongest and most masculine of gods must dress up as a bride to retrieve it. Some scholars think that ‘‘ªrymskvi®a’’ was composed in the thirteenth century, while others believe it to have originated in the pagan past.

The most impressive and genuinely pagan praise poetry by Icelandic skalds that has come down to us was composed by Einar skálaglamm (Goblet-ringer) and Hallfre®ur Óttarsson vandræ®askáld (the troublesome poet) about Earl Hákon of Hla®ir. Considerable sections of Einar’s ‘‘Vellekla’’ (Lack of gold) are preserved. In the introduction the skald addresses the king and his court and asks them to listen to his poetry. Through the kennings expressing this message, images of the harsh viking life at sea are evoked, and the nature of poetry as a divine gift is emphasized.

It has been maintained that the lonely wanderer who speaks reflects the rootlessness created by the Viking Age, but there is The Middle Ages 14 nothing about warfare in the poem, and, although there is much common wisdom of the kind also found in writings in medieval Latin, the emphasis in the poem is on practical and secular issues. The main moral message is that everyone must take care of himself first: there is nothing about loving your neighbor, let alone God. The 164 stanzas of ‘‘Hávamál,’’ mainly in ljó®aháttur, can be divided into several parts that di√er in content and style.

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