By Jeffrey Knapp
What prompted England's literary renaissance? One resolution has been such unparalleled advancements because the eu discovery of the USA. but England within the 16th century was once faraway from an increasing kingdom. not just did the Tudors lose England's sole ultimate possessions at the Continent and, due to the Reformation, develop spiritually divided from the Continent in addition, yet each in their makes an attempt to colonize the recent global really failed. Jeffrey Knapp debts for this unusual mixture of literary growth and nationwide isolation by means of displaying how the English made a advantage in their expanding insularity. Ranging throughout a big selection of literary and extraliterary resources, Knapp argues that English poets rejected the worldly acquisitiveness of an empire like Spain's and took delight in England's fabric boundaries as an indication of its non secular power. within the imaginary worlds of such fictions as Utopia , The Faerie Queene , and The Tempest , they sought a grander empire, based at the ''otherworldly'' virtues of either England and poetry itself.
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Extra resources for An Empire Nowhere: England, America, and Literature from Utopia to The Tempest
Back in England, the voyagers recuperate in the civilized security of Sir John Luttrell's castle. A gentleman unhappily associated by name with the memory of American brutishness, one Mr. Butts, "was so changed in the voyage with hunger and misery, that Sir William his father and my Lady his mother knew him not to be their son, until they found a secret mark which was a wart upon one of his knees" (7). This apocryphal-sounding recognition scene seems to have an earlier much-suffering homecomer in mind, though how pathetically even in fabling their rediscovery of England do the English make themselves heroes: the famous boar-scar of Odysseus becomes a wart.
43 44 WiltÂ thouÂ learnÂ thyÂ lifeÂ toÂ leadÂ byÂ diverseÂ waysÂ thatÂ godlyÂ be? WiltÂ thouÂ ofÂ virtueÂ andÂ ofÂ viceÂ understandÂ theÂ veryÂ ground? WiltÂ thouÂ seeÂ thisÂ wretchedÂ world,Â howÂ fullÂ itÂ isÂ ofÂ vanity? ÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂ "Vanity," inane (U, 30)a vision of emptiness from emptiness, from the place that is no place. As the conclusion to More's letter an airy perspective makes one sublimely liable to contemptus mundi: "I hoped to continue this delirious dream a little longer, b has shattered it and turned me out of my princedom, recalling me to my treadmill in the market-place.
WiltÂ thouÂ seeÂ thisÂ wretchedÂ world,Â howÂ fullÂ itÂ isÂ ofÂ vanity? ÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂÂ "Vanity," inane (U, 30)a vision of emptiness from emptiness, from the place that is no place. As the conclusion to More's letter an airy perspective makes one sublimely liable to contemptus mundi: "I hoped to continue this delirious dream a little longer, b has shattered it and turned me out of my princedom, recalling me to my treadmill in the market-place. My only consolation is t Â < previous page < previous page page_51 page_52 next page > next page > Page 52 real kingdoms do not last much longer" (Erasmus, Correspondence 4:164).
An Empire Nowhere: England, America, and Literature from Utopia to The Tempest by Jeffrey Knapp
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