By Carol Mattingly

ISBN-10: 0585464529

ISBN-13: 9780585464527

ISBN-10: 0809324288

ISBN-13: 9780809324286

Carol Mattingly examines the significance of costume and visual appeal for nineteenth-century girls audio system and explores how ladies appropriated gendered conceptions of costume and visual appeal to outline the fight for illustration and gear that's rhetoric. even if an important to women’s effectiveness as audio system, Mattingly notes, visual appeal has been neglected since it used to be taken without any consideration by means of men.

 

Because girls hardly spoke in public sooner than the 19th century, no guidance existed relating to acceptable gown after they started to communicate to audiences. gown evoked fast photos of gender, a necessary attention for ladies audio system as a result of its robust organization with position, finding ladies within the family sphere and making a fundamental photograph that girls audio system may paintings with—and against—throughout the century. competition to conspicuous switch for ladies frequently necessitated the sophisticated move of comforting photographs whilst girls sought to inhabit usually masculine areas. the main profitable ladies audio system rigorously negotiated expectancies through highlighting a few conventions whilst they broke others.

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Additional resources for Appropriate Ing Dress: Women's Rhetorical Style in Nineteenth-Century America (Studies in Rhetorics and Feminisms)

Sample text

Dependent upon many different conventions, situated as the act of a present (or of a time) . . [with] none of the univocity or stability of a ‘proper’” (de Certeau ). The play of images confounded those who would direct attacks at the body and appearance. Cooper’s de FRIENDLY DRESS scription of Opie, for example, demonstrates a positive impression associated with appearance, her primary reference being in opposition to specifics of conventional dress. Quaker dress allowed for a play of various positive images as well.

White women of the lower and working classes dressed differently from the upper classes. Distinctions were not readily violated, especially early in the century, because of the extravagant expense entailed in creating the upper classes’ wardrobes. Many women could hardly afford cloth. Clothing was often “scavenged and/or handed down” (Boydston ), and when cloth was available, only the upper classes could afford either expensive and ornate fabrics and ornamentations or the skilled work of seamstresses.

In his role as chair of the Connecticut Anti-Slavery Convention in May , for example, Henry G. Ludlow walked out of the meeting after an assembly vote failed to sustain his refusal to permit Abby Kelley to speak. His explanation betrays his anxieties about women’s power: I will not consent to have women lord it over men in public assemblies. It is enough for women to rule at home. It is woman’s business to take care of children in the nursery. She has no business to come into this meeting, and by speaking and voting lord it over me.

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Appropriate Ing Dress: Women's Rhetorical Style in Nineteenth-Century America (Studies in Rhetorics and Feminisms) by Carol Mattingly


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