By Michael Grenfell

ISBN-10: 1845202333

ISBN-13: 9781845202330

ISBN-10: 1845202341

ISBN-13: 9781845202347

Pierre Bourdieu is now well-known as one of many key modern critics of tradition and the visible arts. paintings ideas analyses Bourdieu's paintings at the visible arts to supply the 1st evaluation of his conception of tradition and aesthetics. Bourdieu's engagement with either postmodernism and the matter of aesthetics offers a brand new means of studying the visible arts. His curiosity is in how creative fields functionality and the results their approaches have for artwork and creative perform. paintings principles applies Bourdieu's idea of perform to the 3 fields of museums, images and portray. those sensible examples are used as a springboard to deal with visible arts within the twenty first Century and to set up Bourdieu's ideas of paintings.

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He is known as a philosopher of science, but he made a crucial break from previous approaches to this academic area by stressing the importance of the epistemology of science. His main argument was that scientific observation did not take place in an empirical space where contact could be made with reality. Rather, the space one sees is a representation according to one’s individual perspective and thus not a real space. It followed that scientific advancement did not occur through a linear line of progress, where there was continuity between past and present scientific theories, but through contradiction and discontinuity.

Earlier, we traced the antecedents to Bourdieu’s approach from the Age of the Enlightenment through to preoccupations with the structural make-up of society, the moral force of institutions, the status of the individual and how all these could be mixed from different philosophical and political perspectives – some emphasizing the health of society, others concerned with religion and spirituality, and still others offering a revolutionary slant. It is clear that writers such as Marx, Durkheim, Lévi-Strauss, Merleau-Ponty and Sartre did indeed influence Bourdieu’s thinking, since the academic climate of his formative years was saturated by their ideas.

A characteristic of capital is that it is, by definition, a scarce commodity; if it were available to all, like air, it would lose one of its main functions – to act as an arbitrator of social differentiation. Possessing capital is only useful because some possess more than others. Therefore, although everyone implicitly recognizes the 00Art Rules 6/12/06 1:55 pm Page 31 A Brief History of Theory 31 value of capital, not everyone possesses it. Yet Bourdieu is not arguing that fields and capital operate through an open and explicit struggle for what is of value and available in the field.

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Art Rules: Pierre Bourdieu and the Visual Arts by Michael Grenfell


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