By Rupa Huq

ISBN-10: 0203491394

ISBN-13: 9780203491393

ISBN-10: 0415278155

ISBN-13: 9780415278157

Featuring a brand new method of the research of teen tradition and renowned track, past lifestyle re-examines the hyperlink among tune and subcultures and asks the query; in an growing old global, can pop song nonetheless be an automated metaphor for early life tradition? utilizing case stories and first-hand interviews with buyer and manufacturers together with Noel Gallagher and Talvin Singh, Rupa Huq investigates a chain of musically-centred international adolescence cultures together with hip-hop, digital dance track and bhangra. With ‘Generation X’ turning into an more and more redundant time period, this e-book may also help scholars redefine their rules of teenybopper tradition and may be a useful addition to their reports.

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CCCS treatments of ethnicity were largely confined to the white objectification of African Caribbean style. Hebdige’s (1979) ultimately unsatisfactory ‘phantom history’ of race relations since the war implicitly sees white youth subcultural styles on one side or other of a symbolic acceptance or refusal of black culture. ’s Policing the Crisis (1978), whose authors used Gramsci to discuss the moral panic attached to black youth and mugging. Highlighting the way that youth is a particularly good ‘testing ground’ for social theory, Reimer (1995: 128) has claimed ‘it is during the restless and mobile period of youth that the need and desire to test the new and carve out individual identities is strongest’.

Exaggerated claims of the improved economic conditions of the post-war west with sustained growth, full employment and higher-than-ever standards of living and salaries, overlook the precarious nature of much youth employment, which musical movements such as grunge and nu metal have been seen as reactions against (Weinstein 1995). First past the post: postmodern tribes The same period that has witnessed the demise of subcultural theory has seen postmodernism emerge as a powerful discourse in studies of popular culture.

When minority youth did attract the attentions of the CCCS subculturalists, this was usually in only a partial way. The generic process of ‘othering’, defined by Blommaert and Verschueren (1998: 20) as ‘abnormalization of the immigrant’, seems to inform academic treatments of minority youth. CCCS treatments of ethnicity were largely confined to the white objectification of African Caribbean style. Hebdige’s (1979) ultimately unsatisfactory ‘phantom history’ of race relations since the war implicitly sees white youth subcultural styles on one side or other of a symbolic acceptance or refusal of black culture.

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Beyond Subculture: Pop, Youth and Identity in a Postcolonial World by Rupa Huq


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