By Bakhtin, Mikhail Mikhaĭlovich; Coates, Ruth; Bakhtine, M
This booklet examines the impact of Christianity at the idea and paintings of the nice Russian theorist Mikhael Bakhtin, paying specific consciousness to the motifs of God the writer, the autumn, the Incarnation and Christian love. this can be the 1st full-length paintings to procedure Bakhtin from a non secular viewpoint, and introduces the reader to a extremely important yet hitherto missed element of his paintings. during this context Ruth Coates provides readings of Bakhtin very diversified from these of Marxist and Structuralist critics
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Extra info for Christianity in Bakhtin : God and the exiled author
This The aesthetic gospel of `Author and Hero' 39 helpful summary of the theme of `Author and Hero' is a useful introduction to my own reading of the essay. Russian scholars have devoted more attention to `Author and Hero' than their Western counterparts. Bibler's book contains a lucid discussion of the role that `aesthetic love' plays in the essay (1991, 18±23), whilst Bonetskaya's article on the author in Bakhtin (1985, 63±76) examines `Author and Hero' in some detail: neither of these, however, openly acknowledge the Christian sources for the concepts they examine.
Isupov, who produces careful, text-based and well-documented comparative studies. His article of 1990 discusses Bakhtin's work of the early 1920s as part of a Russian philosophical tradition exploring the interrelationship of art and life. He draws in a very wide range of Russian thinkers, both Bakhtin's predecessors and his contemporaries, for comparison, with special attention given to Florensky and Meier, but not neglecting Herzen, Karsavin, S. Bulgakov, Fyodorov, Rozanov and Dostoevsky, among others.
Thus Christ may be said literally to embody many of the ideas closest to Bakhtin's heart. conclusion In this brief chapter I have attempted to draw attention to what I believe to be two speci®cally Christian motifs which are of fundamental importance to Bakhtin as he elaborates his `primary philosophy' on paper for the ®rst time. I refer the unconvinced to the following chapter, which offers an analysis of `Author and Hero'. In this essay, written in the same general time period as `Philosophy of the Act', the function of Christian motifs is even more apparent, to the extent of providing a conceptual framework for Bakhtin's aesthetics.
Christianity in Bakhtin : God and the exiled author by Bakhtin, Mikhail Mikhaĭlovich; Coates, Ruth; Bakhtine, M
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