By Susan E. Carvalho

Area is important to resourceful writing. As English novelist Elizabeth Bowen has saw: 'nothing can occur nowhere'. This e-book bargains an interdisciplinary framework for analyzing novels, and particularly women's fiction in Spanish the United States, with a spotlight on geoplot, on house instead of time because the narrative engine. Following the paintings of Lefebvre and Friedman, the writer examines contemporary works by way of Spanish America's so much obvious ladies novelists - Angeles Mastretta (Mexico), Isabel Allende (Chile), Rosario Ferré (Puerto Rico), Sara Sefchovich (Mexico) and Laura Restrepo (Colombia) -and the ways that their woman protagonists problem the spatial limitations erected by means of capitalist hegemony. Margins, borders, liminal areas, the chora-space, and the physique are emphasised as strength websites of transgression. The research identifies spatial negotiation as a mechanism either for cementing and for undermining authority, therefore exposing the options in which literature constructs and represents energy. SUSAN CARVALHO is affiliate Professor of Hispanic stories on the college of Kentucky, and Director of the Middlebury collage Spanish college.

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Additional info for Contemporary Spanish American Novels by Women: Mapping the Narrative (Monografias A) (Monografias A)

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These rebirths are generally marked by territorial passage. TEXTUAL SITUATIONS 31 Victor Turner (1974) and John W. Schouten (1991) build on van Gennep’s study to focus on the liminal phase as ‘a period of personal ambiguity, of nonstatus, and of unanchored identity’ (Schouten, p. 49). Both scholars point to the painful nature of such transitions, in particular for the modern individual who is often deprived of the sense of ‘“communitas” or shared psychological support throughout major status passages’ (Schouten, p.

As we have noted, the fundamental conceptualizations of space on which feminist geographers have built are those offered by Marxist spatial theory. As Rose observes in Feminism and Geography, ‘marxist geography has from its inception focused on the differentiation of spaces; and this is one reason for the feminist turn towards it’ (p. 118). She also notes that the unevenness between the empowered and the disempowered, central to feminist theory, is also ‘already implicit if under-theorized in marxism’ (p.

41 Patricia Yaeger observes in her introduction to The Geography of Identity that ‘even though literature may not be valuable for its straightforward geography, it is extraordinarily useful in its constant, uncanny rendering of laborious space’, by which she means the space where characters ‘work and produce’ (pp. 27–8). Lutwack, in The Role of Place in Literature, also privileges the non-mimetic value of literary space: ‘it is difficult to avoid the proposition TEXTUAL SITUATIONS 39 Walter Benjamin’s literary evocation of Paris and Berlin in One-Way Street, Keith and Pile build on Soja’s earlier work and anticipate his configuration of ‘thirdspace’ when they note that Benjamin’s written cities ‘were not only simultaneously real and metaphorical worlds, they were also acts of representation that were consciously, cognitively and politically marked rather than the evocations of a purely aesthetic spatiality’ (p.

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