By Claire Grant
This present day, questions about how and why societies punish are deeply emotive and hotly contested. In Crime and Punishment in modern tradition, Claire Valier argues that legal justice is a key web site for the negotiation of latest collective identities and modes of belonging. Exploring either renowned cultural kinds and alterations in crime guidelines and legal legislations, Valier elaborates new varieties of severe engagement with the politics of crime and punishment. In doing so, the publication discusses:· Teletechnologies, punishment and new collectivities· The cultural politics of sufferers rights· Discourses on foreigners, crime and diaspora· Terror, the demise penalty and the spectacle of violence.Crime and Punishment in modern tradition makes a well timed and demanding contribution to discuss at the chances of justice within the media age.
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Extra resources for Crime and Punishment in Contemporary Culture (International Library of Sociology)
He linked the constitution of the modern nation to the political unification of populations brought by vernacular print culture. The printed word, according to him, constructed homogenized national and political spaces. A similar argument had earlier been advanced by Marshall McLuhan (1964/2002: 193), when he wrote, ‘nationalism itself came as an intense new visual image of group destiny and status, and depended on a speed of information movement unknown before printing’. He explained that novels and newspapers appealed to and constituted national reading publics by condensing various symbols into vivid and readily identifiable images.
With the intervention of the celebrity writer Emile Zola, the affair became hotly contested, and the spectacle of Dreyfus’ severe punishment was reported internationally. A huge volume of cartoons, caricatures and commentary proliferated images and ideas about the case. In this unforgettably dramatic instance of direct and mediated armed power, a range of textual practices through which the modern nation was imagined as limited and contained within ‘ﬁnite, if elastic boundaries’ is visible. In sum, the punishment of Dreyfus engaged onlookers in the negotiation of the boundaries of the nation-state.
Foucault (1996: 232) described the imaginary spaces of the gothic novel of the Revolutionary period as ‘like the negative of the transparency and visibility that the new order hoped to establish’. He stated that these literary and ﬁctional Murder will out 35 spaces were the opposite of the ‘space of exact legibility’ represented in the Panopticon Plan. : 232). The narratives and images of criminal detection do not depict a transparent order of legible and locatable individuals, positioned and controlled through an omniscient, impersonal eye of power.
Crime and Punishment in Contemporary Culture (International Library of Sociology) by Claire Grant
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