By Patrick Brantlinger

ISBN-10: 0415901464

ISBN-13: 9780415901468

An advent to the sector of cultural experiences, which charts the subject's improvement in either Britain and the us. The textual content investigates the institution of cultural background, and examines the contribution of structuralism, deconstruction, psychoanalysis, phenomenology and important concept.

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Additional resources for Crusoe’s Footprints: Cultural Studies in Britain and America

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Nevertheless, the tradition Williams most wished to understand and alter did set Cultural Studies in Britain I 39 culture in opposition to society (not just anarchy) by constructing artistic and literary idealizations divorced from the material realm of work and politics, and yet supposedly capable of sitting in judgment upon that lower or fallen realm. This was the dominant direction for literature from romanticism to modernismthe balloons of "high" culture and of a merely "literary" criticism cut free from the experience of most people-that Williams wanted to reverse (indeed, as he demonstrated in The Country and the City, the rift went back much further, through the seventeenth century and beyond).

On the other, the stress on culture-"culturalism," as it is sometimes calledinvolves a rejection or at least revision of the old base/superstructure paradigm in Marxist theory as well as of the more sharply "causal" and reductive features of other literary and social theories such as psychoanalysis and structuralism. The cultural studies trend has been away from formalist literary criticism, history, and the isolated social science disciplines toward forms of "ethnographic" analysis. As MacCabe declares in "Broken English," "In many ways the importance of the mid-1960s was .

There is no solution to this polysemy," writes Richard Johnson, current director of the Birmingham Centre; "it is a rationalist illusion to think we can say 'henceforth this term will mean ... ' and expect a whole history of connotations (not to say a whole future) to fall smartly into line. So ... I fly culture's flag ... and continue to use the word where imprecision matters" (Johnson 43). And Williams, who more than anyone else has given culture its central place on the contemporary intellectual agenda in both Britain and North America, declared that many times "I've wished that I had never heard of the damned word.

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