By Sherrie S. McLeroy
Her identify was once Rebecca Aston Brown, however the international knew her as omit Bettie. Artist, global visitor, and for the days so much stunning of all, a spinster to the tip of her days, Bettie's existence has been the topic of conjecture and rumor.
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Extra resources for Daughter of Fortune: The Bettie Brown Story (Women of the West Series)
If true, she would have reigned over Waco's festival as Galveston did not begin its own "Kotton Karnival" until late in the century. On her lap is the presentation box. (Courtesy of Rosenberg Library, Galveston, Texas) Page 33 Social Whirl The Browns were at the center of Galveston society. Mrs. Brown's especial forte was the New Year's Day reception, a favorite component of the city's social calendar, when most of the large homes were open for callers. S. B. . were the beautiful residences of Gen.
And to the other "Steel Oleanders" who have helped to build Galveston. . 37 Chapter Four A Lady of Fashion 47 Chapter Five Turmoil in the Family 71 Chapter Six That Terrible September 85 Chapter Seven Riding Around the Pyramids 103 Chapter Eight Troubled Times 115 Chapter Nine Lady of Charity 125 Chapter Ten The Prime of Miss Alice 141 Chapter Eleven The End of an Era 151 Page vi Chapter Twelve Ashton Villa Reborn 159 Appendix A History of Galveston, Texas 167 Appendix B Genealogy of the Brown Family 173 Bibliography 181 Index 187 Page vii List of Illustrations Rebecca Ashton Stoddart Brown (1831-1907) 7 James Moreau Brown (1821-1895) 11 Ashton Villa, circa 1865 18 Bettie Brown, circa 1868 24 Bettie at about age 18, in St.
The two plump-cheeked girls, about thirteen or fourteen years old, are dressed as elaborately as their adult counterparts: striped satin dresses Page 27 with large bustles (but with a shorter hem length as befits their age), jewelry, and a studiedly nonchalant pose. This and other photographs of the young Bettie show a solemn teenager with a square face, an unblinking and direct expression, and the long, pointed Stoddart nose she and sister Matilda both inherited from their mother. Her coiffure is elaborate, even in the 1868 portrait: a tall coronet of braids, often surmounted by a comb, long ringlets, and a "fringe," or bangs.
Daughter of Fortune: The Bettie Brown Story (Women of the West Series) by Sherrie S. McLeroy
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